Priestess Marie Maude Evans
76.2 x 52.1
(centimeters)
30 x 20.5
(inches)
This Pakèt Congo is for La Rèn Kongo, (Queen of the Kongo) the lwa (divinity) of knowledge and good luck. She is traditionally worshiped in southern and eastern Haiti, especially in the city of Miragare. According to worshipers, the spirits found in south and center of Haiti are stronger because the regime set up in northern Haiti at one time called for the destruction of all Vodou “idols” while the south never suffered from such institutionalized attacks. T
The base of the pakèt Kongo resembles the body of a woman, including her waist, hips, and chest. The ornamentation on what would be the chest of the woman is similar to the ornamentation associated with extravagant women’s clothing. The peacock feathers coming out of the top of the base represent the head and crown of the queen. The peacock feathers in particular denote the prestige associated with Rèn Kongo because the peacock is a bird associated with beauty and royalty. The two extensions from the base represent the queen’s arms. They are arranged so that one arm is higher than the other, miming a salutation by the divinity. The wavy ribbon on the ends of the arms represents bracelets, like the one a maid of honor would wear. According to its maker, the queen wears no other jewelry because that would make the figure too busy.
The base of this empowered effigy contains various medications for making relationships, including perfume and liquor.
Contact
Sacred Arts of the Black Atlantic Project, Duke University
Box 90091
Durham, NC 27708
Email
jm217@duke.edu